Dunk’s Epic Poop Scene Trolls Thrones Fans, and the Showrunner Spills Why

HBO’s newest Game of Thrones spinoff, A Knight of the Seven Kingdoms, dropped its first episode on January 18, 2026, and wasted no time shocking viewers. The premiere opens with Ser Duncan the Tall, known as Dunk, burying his mentor and staring at a sword with big dreams of knighthood.

Right as he grabs it, the familiar, bombastic Game of Thrones theme kicks in, swelling with promise, only to smash-cut to Dunk squatting behind a tree for a graphic, projectile bowel movement.​

That jarring pivot hit social media like wildfire. Reddit threads and Twitter clips spread the scene instantly, with fans calling it bold, hilarious, or just plain gross.

The Hollywood Reporter caught up with showrunner Ira Parker, who broke down the choice as a deliberate gut-punch to expectations. In the script, Dunk simply “hears the hero theme in his head,” but post-production landed on Ramin Djawadi’s legendary track for maximum impact.​

Parker stressed the moment captures Dunk’s vulnerability. He is no ready-made legend like Jon Snow or Daenerys; he is a hedge knight with zero funds or polish, facing a tournament that could make or break him.

The theme represents his inner call to greatness, but his body betrays him, turning ambition into literal fear. Decider noted how this “unheroic crouch” pokes fun at the epic music that defined eight seasons of the original show.

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This opener fits the source novellas by George R.R. Martin, Dunk and Egg tales from his Tales of Dunk and Egg collection. They always mixed grit with humor, far from the main saga’s throne games, and the adaptation leans hard into that lighter vibe from frame one.​

Showrunner Defends the Gross-Out Genius

Ira Parker has fielded questions nonstop since the premiere, framing the poop scene as core to Dunk’s arc. In chats with The Hollywood Reporter, he explained that Dunk wants heroism badly, but reality hits like a freight train. The theme swells as he steels himself, sword in hand, only for nerves to overwhelm his system.

“That’s what the whole season is for him,” Parker said, highlighting a growth journey from scared nobody to true knight.​

The decision to use the Thrones theme evolved late. Early cuts tried other heroic cues or composer Dan Romer’s simpler score for Dunk, but nothing matched the grandeur Dunk craves.

Djawadi’s piece screams “epic destiny,” making the cut-off all the funnier and more poignant. Cosmopolitan recaps how the music crescendos just before the squat, amplifying the absurdity.

Parker also revealed the theme returns later in season one, reframing this opener with new context. That callback suggests the show plays with franchise nostalgia smartly, not just for laughs.

Tribune reports Parker calling it a setup for tone, not cheap shock value. Even Martin reacted with surprise at the graphic detail, per IMDb, but the books have their own crude moments, so it stays true to Westeros’ earthy side.​

Critics have warmed to the risk. Rotten Tomatoes gives the series an 87% score, praising its shift to buddy-adventure comedy over dragon battles. Fans appreciate the breather after House of the Dragon’s intensity, with Dunk and his squire Egg hitting HBO Max charts fast.​

Spinoff’s Fresh Path Shakes Up Westeros Wars

A Knight of the Seven Kingdoms marks HBO’s third Thrones project, after the original and House of the Dragon. Set 90 years before Game of Thrones, it follows lowborn Dunk, played by Peter Claffey, and sneaky royal Egg, actually Prince Aegon Targaryen, played by Dexter Sol Ansell.

Their road-trip quests dodge the Iron Throne drama for tournaments, hedge knight hustles, and smallfolk scrapes.​

Dropping the full theme song signals bigger changes. The original’s map crawl and ominous strings set a dark, scheming mood; this spinoff wants laughs and heart.

Parker positions it as underdog fun, with six episodes weekly through February 23, already greenlit for season two. House of the Dragon season three follows later this summer, promising dragon fireworks.​

Business-wise, the bold start pays off. HBO Max sees franchise traffic spike, proving fans crave variety beyond gore and incest plots. Yahoo Singapore echoes the shock value, drawing eyes, while ComicBook debates Martin’s unease but defends the adaptation’s punch.​

Fan splits add spice. Some miss the epic sweep, others love the parody of heroism tropes. ScreenRant calls it tonally distinct, perfect for weary viewers. The scene also spotlights practical effects; that squat looks convincingly messy, grounding fantasy in body horror humor.​

Parker hints that future episodes build on this honesty. Dunk’s growth mirrors real stumbles toward potential, theme song or not. As Westeros expands, this spinoff proves the universe thrives on reinvention, poop, and all.​

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