David Dastmalchian Compares One Piece Legacy To Classic Shakespeare Roles

Stepping into a franchise as expansive as One Piece comes with expectations that go far beyond a typical TV role. For David Dastmalchian, playing Mr. 3 felt closer to entering a theatrical tradition than joining a conventional adaptation.

During an interview, Dastmalchian compared taking on a One Piece character to performing legacy roles like Hamlet or Iago, parts that evolve through generations of reinterpretation. In his view, characters with this kind of history are never owned by a single actor. Each performance simply becomes part of a larger continuum.

“That’s why multiple actors can play the same role. You know, it’s very hard sometimes for people to get their head around, ‘Well, the best Joker is so and so,’ or ‘The best Batman is this person,’ or ‘The best Captain America is this person.’ I understand that because that’s what you first saw when you fell in love with a thing and your heart was so attached to it.”

Treating Mr. 3 Like a Legacy Role

Dastmalchian noted that fandom culture often centers on finding the “best” version of a character, whether in comics, film, or classic literature. He sees that attachment as natural, shaped by first impressions and emotional connection. But he also believes reinterpretation is essential to storytelling.

Mr. 3 already exists across manga, original Japanese performances, English dubs, and international adaptations. Before filming, Dastmalchian studied both subtitled and dubbed anime versions, aware that fans have internalized specific vocal rhythms and mannerisms over decades.

That awareness brought pressure, but also clarity.

“So with Mr. 3, I had a number of factors to contend with. One, that everyone who’s read and loved the manga has such a special place in their heart for him and the way they’ve already imagined him sounding or moving or looking in their minds.”

Rather than attempting replication, Dastmalchian focused on honoring recognizable traits while adding his own interpretation. He leaned into Mr. 3’s controlled stillness, theatrical composure, and quiet psychopathy, aiming to give the wax-wielding antagonist psychological depth instead of playing him as a surface-level caricature.

He compared the process to classical theater: the text provides the framework, but performance defines tone. Every Hamlet is different. Every Iago carries new shades. For Dastmalchian, Mr. 3 operates by the same principle.

With One Piece now reaching audiences across manga, anime, and live action, he views the series as a kind of modern cultural canon, one that invites reinterpretation rather than resisting it.

His approach reflects a broader belief about adaptation: revisiting iconic characters isn’t a betrayal of the original. It’s how they stay alive.

As Mr. 3 enters the Grand Line in live action, Dastmalchian’s portrayal becomes another chapter in that ongoing legacy, one performance added to a story designed to evolve.